Mabel Dwight
1876-1955
Commonplace activities or views of daily life often provide the subject matter for Dwight's prints. A characteristic example is the lithograph Farm Yard, which dates from 1947, late in her career. It is a modest scene, showing a woman feeding ducks, geese, and chickens in the farmyard. The buildings have the quality of doll houses; tightly packed, they provide a backdrop for the woman and her flock. This quiet domestic scene is rendered with soft strokes of the lithographic crayon, in a style similar to that of regionalist artists such as Thomas Hart Benton, Grant Wood, and John Steuart Curry. Dwight's other works often display a humorous or satirical approach, about which she wrote an essay, "Satire in Art," published in 1936.
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